focusMimmo JodiceMediterraneo
centro archivi
curated by Simona Antonacci
valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
centro archivi
curated by Simona Antonacci
Archive materials, documents, exhibition posters and newspaper articles reconstruct the genesis and development of this project.
Mediterraneo began between the 1980s and 1990s, when Jodice developed a growing interest in the themes of antiquity, memory, and origins, pursuing visions that were outside of reality.
All this translated into various projects dedicated to Mediterranean culture and archaeology that began with an initial exploration of the Neapolitan area closest to him (Paestum, Neapolis, Pompeii, Cumae, Baia) and then extended to the Mare Nostrum – from Greece to Tunisia, from Jordan to Libya – to museums all over the world.
Jodice’s is a journey around the language of photography as an expression of his visions and, at the same time, a journey through a symbolic imaginary: a journey in search of the roots of his own culture guided by the idea of an extended city, which starts from the Gulf of Naples to embrace the Mediterranean basin and go even further.
in collaboration with Studio Mimmo Jodice; the photographs enter the MAXXI Collection thanks to the contribution of the Amici del MAXXI
header: Mimmo Jodice, Roman Boy, Boston, 2000 © Mimmo Jodice