exhibition
04 September 2018 > 30 September 2018
valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
video gallery – admission free for everyone from Tuesday to Friday and every first Sunday of the month
This focus of the artapes program is a natural extension of the exhibition Zevi’s Architects. History and Counter-history of Italian Architecture 1944-2000, where videos have an important presence that corresponds to Zevi’s peculiar inclination towards the use of media.
Bruno Zevi, a main actor of the architectural and political debate for over fifty years, always used television as one of the instruments to carry out his civil action. In his ethical and educational mission to spread a knowledge of architecture, he often chose television as a privileged means to make architecture accessible to the wider public, also because Zevi placed great trust in the potential of architecture as an instrument to improve every day life and to act on society.
Still da video, Io…e: Bruno Zevi e S. Ivo alla Sapienza di Borromini, 1973, Courtesy RAI Teche