videogallery: REPLAY THE FUTURE
videogallery – free admittance
curated by Manuel Cirauqui
valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
videogallery – free admittance
curated by Manuel Cirauqui
Questioning the relationships between research, artistic production and epochal prescience, the works of : REPLAY THE FUTURE span multiple directions and are like reminders of challenges we are still facing and risks lurking in the post-pandemic period. Challenges, risks, global issues involving new forms of digital exploitation born out of the population’s emotional deficit during the lockdown, the use of technology as an engine of social justice and truth-seeking in response to ongoing wars and ecocide, the digital economy, quantum computation as a generator of prophecies we have yet to decipher.
Forensic Architecture | Markos Kay | Hayoun Kwon | Daito Manabe, MIKIKO, TAKCOM, ELEVENPLAY e Rhizomatiks Research | Elisa Giardina Papa | Hamill Industries, Junior Martínez e Floating Points | Lucy McRae
The film screening retraces the history of the S+T+ARTS Prizes, as part of the European Commission’s activities to promote the synergy between science, technology and art, and serves as a counterpoint to the exhibition : REWILD by highlighting the urgency that pervades our daily lives where issues related to the environment, geopolitics and the intimate sphere are increasingly intermingled..
header: Hayoun Kwon, 489 Years, 2016, film still | Courtesy the artist