videogalleryRadicalsSeijun Suzuki
videogallery – free entrance
curated by Irene de Vico Fallani, Giulia Lopalco
recommended for an adult audience
valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
videogallery – free entrance
curated by Irene de Vico Fallani, Giulia Lopalco
recommended for an adult audience
One of the most innovative and controversial masters of action cinema.
An exponent of the Japanese nouvelle vague, Seijun Suzuki (Tokyo, 1923 – Tokyo, 2017) directed around 50 films during his career characterised by his clash with the Japanese film industry. Father of the Yakuza movie, Suzuki turned the canons of the noir genre upside down with his avant-garde style, irreverent irony and surrealistic settings, a source of inspiration for major international filmmakers.
film screening:
Tuesday 19 to Sunday 24 July, 5 pm
The Youth of a Human Beast, 1963
duration: 92 min
language: Japanese with Italian subtitles
Tuesday 26 to Sunday 31 July, 5 pm
Tokyo Drifter, 1966
duration: 82 min
language: Japanese with Italian subtitles
Tuesday 2 to Sunday 7 August, 5 pm
In Praise of Struggle, 1966
duration: 86 min
language: Japanese with Italian subtitles
On the occasion of the TOKYO REVISITED exhibition, a special screening of films by directors and creatives who share with Daido Moriyama a countercurrent, revolutionary and never conventional look at Japan. The pop and surreal character of Seijun Suzuki (19 July > 7 August), the more rigorous and austere nature of Kaneto Shindō (9 > 28 August) and the mystical essence of Kazuo Ōno’s Butō dance (30 August > 18 September) represent different manifestations of a common need to narrate the duality of post-war Japan, to bring to light the shadows and fragility of existence, to break taboos, and to reaffirm the individual’s freedom of choice and expression.
header: Seijun Suzuki, In Praise of Struggle, 1966, video still