VideogalleryBedfellowsby Frances Adair Mckenzie
videogallery – free entrance
valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
videogallery – free entrance
Artist based in Tiohtià:ke, today also called Montréal. Her practice includes video installation, sculpture, animation and collaborative ventures. She holds a diploma in New Media from B.C.I.T. and a Bachelor of Fine Arts from Concordia University. Her video and virtual reality work has been exhibited internationally in festivals, on screens and during residencies. Frances has exhibited at the Musée d’art contemporain des Laurentides, Parisian Laundry, Centre Clark, Oboro and the Satosphere of the Société des Arts Technologiques (SAT) in Montreal. Several of her animations and a stereoscopic virtual reality animation have been supported by the National Film Board of Canada. She is currently an artist in residency at the Darling Foundry (2019-2022).
photo © Vivien Gaumand
“Ecology is permanent economy.”
—Women-led Chipko Movement, India, 1970s
Bedfellows is a reflection on the alienating condition we’re all living in, created and directed by Canadian artist Frances Adair Mckenzie. Now that things are changing, Mckenzie offers an alternative for what living, thriving and dying might mean for humans. To do it, she uses a rich repertoire of video effects and voiceovers by poets Maya Khamala and David M. Armstrong. All these voices together tell us a tale of otherness and invite us to see through the eyes of other creatures and consciousnesses.
Inspired by Robin Wall Kimmerer’s writings on forests and environmental biology and by Ursula Le Guin’s writings on futuristic anthropology, the artist borrows from the natural world concepts such as sexual mimicry, evolution and collaboration between species, to imagine new ways of living. Bedfellows insists on the possibility that, taken together, poetry, love and history can lead us beyond our fear of change, towards new horizons.
ida-creatives.com
header: Frances Mckenzie, Bedfellows, video still
BIO
Frances Adair Mckenzie